Film Africa 2025 celebrates the best of African cinema across the continent (14 – 23 Nov)

Source: APO

Presented by the Royal African Society (https://RoyalAfricanSociety.org/), Film Africa 2025, the UK and Europe’s leading film festival celebrating African and African diaspora cinema, returns to London from 14–23 November. For 10 days, the festival will showcase the richness, diversity, and inventiveness of African filmmaking, with over 50 films and special events including features, documentaries, and shorts from more than 20 countries: from Morocco to South Africa, Nigeria to Congo. Other highlights include a tribute to the late Souleymane Cissé, the legendary Malian filmmaker whose groundbreaking work redefined African cinema; a BAFTA masterclass with Nigerian director Kunle Afolayan, exploring his pioneering role in shaping contemporary Nollywood; and the Symposium: African Cinema and Liberation, a landmark conversation between Sir John Akomfrah and Billy Woodberry on the power of cinema to reclaim agency and resist colonial narratives.  

“African cinema is entering a period of tremendous creative expansion. We are seeing bold experimentation in form, genre, and distribution, with filmmakers blending realism, mythology, and futurism in entirely new ways. Film Africa’s role is to support this evolution, not only as a showcase but as a network that connects artists, institutions, and audiences. We aim to foster dialogue, collaboration, and visibility for African filmmakers on a global scale.” said festival curator Keith Shiri. 

Opening & Closing Films 

Opening Film Africa (BFI Southbank, 14 Nov) is My Father’s Shadow (2025, Nigeria/UK) (https://apo-opa.co/47dXQpt), the UK’s Oscar submission for Best International Feature at the 98th Academy Awards. This bold and poetic feature debut, directed by British-Nigerian filmmaker Akinola Davies Jr. and co-written with his brother Wale Davies, is set in Lagos during the turbulent 1993 Nigerian election crisis. The semi-autobiographical story follows a father, estranged from his two young sons, as they navigate a city on the brink of political unrest while attempting to return home. Starring Sope Dirisu (Slow Horses, Gangs of London) and real life brothers Chibuike Marvellous Egbo and Godwin Egbo, the screening will be followed by a Q&A with director Akinola Davies Jr. 

Macbeth has inspired generations of filmmakers, including Orson Welles, Akira Kurosawa and Roman Polanski, and now its timeless story of ambition and fate finds new expression in Katanga: The Dance of the Scorpions (2025, Burkina Faso) (https://apo-opa.co/43xS3Zq), which closes the festival with its UK premiere (BFI Southbank, 23 Nov). Reimagining Shakespeare’s tragedy in an African kingdom, the film follows a general appointed by his king after a failed coup, only to be haunted by a prophecy that he will seize the crown or die trying. Shot in black and white, Katanga explores loyalty, ambition, and the fragility of human nature by blending Shakespearean drama with the mythic spirit of West African storytelling. Directed by acclaimed Burkinabé filmmaker Dani Kouyaté, the film is one of the continent’s few Shakespeare adaptations for the screen. Kouyaté will join the BFI premiere for a post-screening Q&A. Katanga has topped the list of nominees at the African Movie Academy Awards with 10 award nominations. 

Spotlight on the Democratic Republic of Congo  

This year’s Film Africa spotlight is on the Democratic Republic of Congo (DRC), celebrating a nation with a powerful cinematic voice with a mix of features and shorts. The Tree of Authenticity (2025, DRC/Belgium) (https://apo-opa.co/47IGzoq), the debut feature by acclaimed visual artist and photographer Sammy Baloji, excavates the colonial legacies embedded in the Congo Basin, the world’s second largest tropical forest. Drawing on century-old archives, the film unfolds through three voices:  Paul Panda Farnana – who is known as the first Black Belgian Colonial civil servant – Abiron Beirnaert, who worked between 1910 and 1950, and finally, an ancient tree – The Tree of Authenticity – that bears witness to it all. Through these voices, the film looks at how colonialism harmed both people and the environment, and how that damage is still felt today (Riverside Studios, 15 Nov).  

Also rooted in Congo’s landscape is Jean-Gabriel Leynaud’s Of Mud and Blood (2025, DRC/France/Germany) (https://apo-opa.co/3L9GTnv), a raw, unflinching portrait of life in the mountain village of Numbi, where miners dig by hand for coltan, the grey gold that powers our modern world. Sensitive and deeply moving, the documentary captures the human cost of global consumption, revealing a story of exploitation, endurance, and fragile hope that we cannot look away from (Riverside Studios, 20 Nov). 

Lobito Bound: A journey to Africa’s new frontier (2025, DRC/UK) (https://apo-opa.co/4htGZlU) follows British-Jamaican explorer Dwayne Fields on a 4000km journey across Angola, Zambia, the Democratic Republic of Congo, and Tanzania to investigate the Lobito Corridor, a vast new trade route set to reshape Africa’s role in the global economy. As Fields meets the communities poised on the edge of transformation, the film exposes the human face of a project that intertwines environmental promise, geopolitical ambition, and the future of the planet itself (Ritzy Picturehouse Brixton, 19 Nov).  

Throughout the festival, The Africa Centre will be holding Congo RE-Vue, a free digital photo exhibition showcasing the bold vision of emerging Congolese photographers who are redefining how their country is seen.  

Films about women  

Promised Sky (2025, France/Tunisia/Qatar) (https://apo-opa.co/47uMMD4) by French-Tunisian filmmaker Erige Sehiri, follows an Ivorian pastor, Marie, who has built a refuge in Tunis for two women: Naney, a young mother seeking a better future, and Jolie, a determined student carrying her family’s hopes. When a shipwreck survivor joins their fragile household, tensions rise in a society marked by xenophobia and inequality, testing the women’s faith, resilience, and solidarity (Rich Mix, 17 Nov). The film premiered in Un Certain Regard at this year’s Cannes Film Festival.  

In NAWI (2024, Kenya/Germany, dir. Toby Schmutzler/Kevin Schmutzler/Vallentine Chelluget/Apuu Mourine) (https://apo-opa.co/47deeq9) a young girl sold for livestock by her father escapes her impending marriage and embarks on a perilous journey toward Nairobi, determined to reclaim her dream of going to school. Set in the striking landscapes of northern Kenya’s Turkana region, the film confronts the realities of child marriage and celebrates a girl’s courage to rewrite her destiny (Riverside Studios, 19 Nov). 

Based on Alexandra Fuller’s memoir of the same name, Embeth Davidtz’s Don’t Let’s Go to the Dogs Tonight (2024, South Africa) (https://apo-opa.co/3X19wWu) captures the childhood of eight-year-old Bobo on her family farm in Zimbabwe (formerly Rhodesia) at the end of the Zimbabwean War for independence in 1980. Conflicted by her love for people on opposing sides, she tries to make sense of her life in a magical way, as the film traces Rhodesia’s final days and the deep scars war leaves on those who survive it (Riverside Studios, 17 Nov). 

Aicha (2024, Tunisia/France/Italy/Saudi Arabia/Qatar) (https://apo-opa.co/4nl3E57) – which means ‘alive’ in Arabic – is inspired by a news story from 2019 that shook public opinion in Tunisia and intrigued director, Mehdi M. Barsaoui.  Aya, in her late twenties, still lives with her parents in southern Tunisia and feels trapped in a life without prospects. One day, the minibus that takes her between her town and the hotel where she works, crashes. As the sole survivor, she realises this could be her chance to start a new life. She flees to Tunis under a new identity, but everything is soon turned upside down when she becomes the main witness to a police blunder (Ritzy Picturehouse Brixton, 15 Nov).  

Films about Sudan 

Egyptian filmmaker Morad Mostafa’s directorial debut Aisha Can’t Fly Away (2025, Egypt/Sudan/Tunisia/Saudi Arabia/Qatar/France/Germany) (https://apo-opa.co/4oEQUYb) tells the story of a 26-year-old Sudanese caregiver living in a neighbourhood in the heart of Cairo where she witnesses rising tensions between her fellow African migrants and local gangs (Ritzy Picturehouse Brixton, 16 Nov). The film had its world premiere at Un Certain Regard in Cannes this year. 

Khartoum (2025, Sudan/Germany/UK/Qatar) (https://apo-opa.co/4qEbZE7) brings together the perspectives of five Sudanese citizens, a civil servant, a tea vendor, a resistance volunteer, and two street boys whose lives are turned upside down as war overtakes their city. Filmed on donated iPhones by Sudanese filmmakers Anas Saeed, Rawia Al Hag, Ibrahim Snoopy and Timeea M. Ahmed in collaboration with Phil Cox, the film combines street realism, animation, and reconstructed dreamscapes to portray both the resilience and the dislocation of a nation in turmoil (Riverside Studios, 18 Nov, Rich Mix, 21 Nov). 

Shorts  

The festival will celebrate the best of Africa’s short films with over 20 being showcased. Here is a taste of some of them. In Adinkra (2025, UK), the directorial debut of Golda Kesse, a young British-Ghanaian woman, Samira, is reunited with an old friend, Karim, who draws her into a web of mystery surrounding her family history and helps her reconnect with the power of her cultural identity. Kesse explores the lasting wisdom of heritage within diasporic communities, with a score that fuses West African and English sounds to mirror the film’s themes of belonging and identity. 

In Aïcha (2025, Morocco) (https://apo-opa.co/432Kbir), Sanaa El Alaoui examines the strained bond between a 17-year-old girl and her emotionally distant mother in the aftermath of a tragedy. Seeking to process her grief, the mother turns to rituals and spiritual practices, uncovering paths to healing. Building on the success of her award-winning short Icarus (2020), El Alaoui aims to challenge stereotypes and bring Moroccan stories to light in new, authentic ways. 

Forty Days Road (2025, Morocco/Germany), by Moroccan director and animal activist Ali Ziani, exposes the brutal conditions endured by camels transported from the Sudanese border to a sprawling market near Cairo. Following two men accompanying the animals on their 24-hour journey, the film continues Ziani’s mission to reveal the cruelty of the global animal trade across Europe, North Africa, and the Middle East. 

In Why the Cattle Wait (2024, South Africa), Phumi Morare of South Africa reimagines a Nguni myth about a goddess who urges her human lover to join her in the eternal world before she destroys the earth. Morare, winner of an NAACP award and Oscar-shortlisted for When the Sun Sets, explores the Black female gaze and the quiet heroism of ordinary women. 

Baratani (2025, Botswana) (https://apo-opa.co/47pLCsv), by Botswana writer-director Moreetsi Gabang, offers a contemporary retelling of the folktale Lentswe la Baratani following a young man’s desperate attempt to convince the woman he loves to flee with him on the day of her arranged marriage. 

Tribute to Souleymane Cissé 

Souleymane Cissé, the legendary Malian filmmaker who died in February 2025 aged 85 redefined African cinema and brought it global recognition with his groundbreaking films. The festival will screen a restored copy of his celebrated film Yeleen (The Light) that won the Jury Award at Cannes 1987, making him the first film-maker from sub-Saharan Africa to win an award at the prestigious festival. His first feature film, Den Muso (1975) was banned by the Malian authorities, and Cissé was jailed for having accepted French funding. He wrote the screenplay for his second film, Baara, while in prison. The tribute will take place at the University of East Anglia on 20 November.  

Kunle Afolayan Masterclass  

On 17 November, Film Africa together with BAFTA is hosting a special masterclass with Kunle Afolayan, whose work embodies the energy, ambition, and artistry of contemporary African cinema. Afolayan redefined Nollywood by fusing local narratives with universal themes and technical innovation, demonstrating that African popular cinema can be both commercially successful and artistically ambitious. In conversation with film and television executive Tendeka Matatu, Afolayan will discuss his distinctive storytelling approach, his Netflix collaborations (Swallow, 2021; Aníkúlápó, 2022; and Ijogbon, 2023) and his mission to inspire the next generation of African filmmakers. His breakthrough feature The Figurine (2009) will be screened at the festival. 

Beyond the Screen  

Film Africa is a hub for dialogue, and the festival thrives on conversations. Q&A sessions and panels will bring audiences face-to-face with filmmakers, offering insights into creative processes and thematic choices.  

The intellectual centrepiece of the festival will be the Symposium: African Cinema and Liberation at London School of Economics (22 November, 1-5pm) featuring a landmark conversation between celebrated artist-filmmaker Sir John Akomfrah and pioneering American filmmaker Billy Woodberry. Both are giants in their fields: Akomfrah has used the moving image as a form of historical reparation, transforming archives into poetry, while Woodberry, a founding figure of the L.A. Rebellion and director of Bless Their Little Hearts and Mário, has dedicated his career to portraying Black experience and anti-colonial struggle through the lens of Third Cinema. Together, they will explore the role of cinema in resisting colonial narratives, reimagining freedom, and advancing African cultural sovereignty. 

FULL PROGRAMME AND TRAILER HERE : https://apo-opa.co/4oH7AhR

Distributed by APO Group on behalf of Royal African Society.

Additional Photos: https://apo-opa.co/432Ktpx

Please note the programme may be subject to change 

Media Contact: 
Sophie Toumazis at tpr media consultants 
sophie@tpr-media.com 
(+44 7974 428858) 

Marcello Aisoni
marcello@tpr-media.com

About Film Africa:
Film Africa is London’s biggest biennial festival celebrating the best African cinema from across the continent and diaspora brought to you by the Royal African Society. Established in 2011, the festival brings diverse London and UK audiences a high-quality and wide-ranging film program accompanied by a vibrant series of events, including director Q&As, talks, and panel discussions; workshops and masterclasses; Film Africa Young Audiences school screenings and family activities; and Film Africa LIVE! music nights. Film Africa also recognises and supports new film-making talent through the Baobab Award for Best Short Film and the Audience Award for Best Feature Film. 

About The Royal African Society:   
The Royal African Society, established in 1901, is one of the UK’s oldest and most respected institutions dedicated to promoting a deeper understanding of Africa and fostering stronger relations between the UK, Africa, and the wider world. Through conferences, cultural festivals, publications, and policy dialogues, the Society brings together business leaders, artists, academics, policymakers and civil society to showcase Africa’s achievements and address its challenges. 

About Keith Shiri, Lead Curator of Film Africa 2024:  
Keith Shiri is a Zimbabwean film curator and programme advisor to several film festivals, including the London Film Festival, Venice Film Festival, Berlin International Film Festival, Dubai International Film Festival, Panafrican Film and Television Festival of Ouagadougou and Tampere Film Festival. 

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Africa Finance Corporation (AFC)-Backed Infinity Power Achieves Financial Close on 200MW Ras Ghareb Wind Farm Project in Egypt

Source: APO

  • Africa’s largest renewable energy company, AFC-backed Infinity on track to reach 10GW target
  • Follows US$700m raise by AFC investee company Arise IIP and record $1.5bn AFC syndicated loan as global capital flows to African-led infrastructure

Africa Finance Corporation (AFC) (www.AfricaFC.org), the continent’s leading infrastructure solutions provider, today announced that its portfolio company, Infinity Power—Africa’s largest independent renewable energy provider—has achieved financial close on its 200MW Ras Ghareb Wind Farm in Egypt. Coming within a month of the US$700 million capital raise for another of the Corporation’s investee companies, Arise IIP, and a record US$1.5 billion syndicated loan for AFC, the new financings together show growing momentum in the mobilisation of large-scale global investment into African-led infrastructure projects.

Infinity Power secured US$153 million in senior debt for Ras Ghareb from the European Bank for Reconstruction and Development (EBRD), Paris-based Proparco, and the Japan International Cooperation Agency (JICA), reflecting strong international confidence. Construction began last month at the site in the Gulf of Suez, led by the Power Construction Corporation of China (POWERCHINA) as engineering, procurement and construction (EPC) contractor. Once operational in 2027, Ras Ghareb will generate approximately 810,000 MWh of clean electricity per year—enough to power over 300,000 homes and avoid around 390,000 tonnes of CO₂ annually.

“The funding for Ras Ghareb exemplifies AFC’s collaborative role as an originator, developer and long-term investor, driving international capital into transformative African infrastructure. Since 2022, AFC has been successfully backing Infinity Worldwide in partnership with Masdar and EBRD to create Africa’s largest renewable energy platform.” said Sameh Shenouda, Executive Board Member and Chief Investment Officer at AFC. “Coming on the heels of the landmark global capital raise for Arise and our own record syndicated loan, this reinforces our conviction in providing African-built, globally bankable platforms capable of crowding in institutional capital at scale.”

Infinity Power has 14 operational wind and solar assets with an installed capacity totalling 1.3GW. The platform is expanding towards a targeted 10GW by 2030, with advanced developments underway in South Africa, Côte d’Ivoire, Egypt and Senegal. To date, Infinity has delivered clean power to 1.2 million homes and businesses, invested US$3.5 million in community initiatives, and directly improved the lives of more than 39,000 people through local development initiatives.

“The Ras Ghareb project reinforces Infinity Power’s position as Africa’s leading renewable energy company, made possible by the strong backing of our shareholders AFC, EBRD and Masdar,” said Mohamed Ismail Mansour, Chairman of Infinity Power. “Together, we are scaling a pipeline of projects that combine commercial viability with deep impact and long-term sustainability.”

The Ras Ghareb financial close follows another milestone for AFC backed pan-African developer and operator of integrated industrial zones, Arise IIP, welcoming Saudi Arabia’s Vision Invest as a new shareholder. The deal— managed by AFC and the largest Africa capital raise from global investors in recent times—enabled a successful partial exit for AFC, freeing up capital to reinvest in transformative infrastructure projects in line with its operating model. AFC intends to replicate this successful capital raise in the Power sector within Africa. AFC’s record syndicated loan completed earlier this month further reinforces its position as Africa’s leading originator and developer of scalable, de-risked platforms.

AFC has been backing Infinity in partnership with Masdar and EBRD since 2022, supporting its vision to build Africa’s largest independent renewable energy platform. The Corporation’s renewable energy strategy is anchored in bankable, large-scale projects that expand access to affordable, reliable electricity while accelerating decarbonization. AFC’s renewables investments span wind, solar and hydro power, positioning the institution as a key driver in Africa’s energy transformation and prosperity.

Distributed by APO Group on behalf of Africa Finance Corporation (AFC).

Media Enquiries:
Yewande Thorpe
Communications
Africa Finance Corporation
Mobile : +234 1 279 9654
​Email : yewande.thorpe@africafc.org

About AFC:
AFC was established in 2007 to be the catalyst for pragmatic infrastructure and industrial investments across Africa. AFC’s approach combines specialist industry expertise with a focus on financial and technical advisory, project structuring, project development, and risk capital to address Africa’s infrastructure development needs and drive sustainable economic growth.

Eighteen years on, AFC has developed a track record as the partner of choice in Africa for investing and delivering on instrumental, high-quality infrastructure assets that provide essential services in the core infrastructure sectors of power, natural resources, heavy industry, transport, and telecommunications. AFC has 46 member countries and has invested over US$15 billion in 36 African countries since its inception. 

www.AfricaFC.org

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Court interpreters key to democratic access to justice

Source: Government of South Africa

Court interpreters key to democratic access to justice

The role played by court interpreters in facilitating access to justice for the entire nation cannot be overstated, says Justice and Constitutional Development Minister, Mmamoloko Kubayi.

“Court interpreters are not merely linguistic facilitators. They are guardians of constitutional rights, ensuring that every person, regardless of language, background or ability, has meaningful access to justice,” Kubayi said.

Speaking at the launch of the Court Interpreters’ Robes Programme at Kgosi Mampuru Correctional Centre in Pretoria on Tuesday, Kubayi said it was the first of its kind in the world.

This initiative is aimed at professionalising the role of interpreters and affirming their status as critical enablers of justice.

The ceremonial robing of court interpreters marks a transformative moment in the justice system, underscoring their essential role.

“Your services are an integral part of the functioning of our courts, without which justice would not be served,” Kubayi said.

Kubayi said universal access to justice can only be attained when every citizen in the country can access justice and participate in court processes in the language of their choice.

“Properly utilised, language interpretation in our courts can transform our language diversity from being a barrier to an instrument for empowerment, social cohesion and a creation of a more just society.

“As part of the justice system, court interpreting must also be practiced in manner that demonstrates a shift from language interpretation under the unjust system of apartheid to language interpretation in a democracy that embraces human rights and diversity.

“The Department of Justice and Constitutional Development, through Justice College, will continue to provide foundational training for interpreters.”

Kubayi said government’s decision to take this important step of robing court interpreters is motivated by the recognition of the responsibility they carry as language interpreters in the courts.

“Equally, it behoves you to carry out your tasks professionally, ethically and without prejudice. Faced with the challenge of huge case backlogs, our courts cannot afford to have court interpreters who do not understand the importance of pulling their weight to improve court efficiency. 

“As interpreters, you need to understand that you are at the coal face of our judiciary and the justice system in general. You must be the embodiment of the Batho Pele principles of public service,” the Minister said.

As part of the launch, court interpreters will adopt a new professional standard that includes the wearing of official gowns and a black-and-white dress code. – SAnews.gov.za

Edwin

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President Ramaphosa arrives in Switzerland for significant State Visit

Source: Government of South Africa

President Ramaphosa arrives in Switzerland for significant State Visit

By Dikeledi Molobela

Bern, Switzerland – President Cyril Ramaphosa has this morning arrived in Switzerland for a two-day State Visit at the invitation of President Karin Keller-Sutter of the Swiss Confederation. 

The President was received at Zurich International Airport by Minister of International Relations and Cooperation, Ronald Lamola; South African Ambassador to Switzerland, Phaswana Moloto; and Ambassador Terrence Billeter of the Swiss Confederation. 

The visit will provide an opportunity to strengthen bilateral relations, deepen economic cooperation, and advance partnerships in science, technology, arts and culture, and youth skills development. 

Speaking on the significance of the visit, the Presidency highlighted that the engagement will promote mutually beneficial cooperation and inclusive growth between the two countries.

Tomorrow, President Ramaphosa will hold official talks with President Keller-Sutter on a range of bilateral issues, including South Africa’s upcoming G20 Presidency. 

The programme will include the signing of two agreements – a Cooperation Agreement in Arts, Culture and Heritage and a Letter of Intent on Cooperation in Peace Mediation and Democracy Resilience. 

“The agreements will strengthen cultural ties, explore new cooperation initiatives under domestic law and promote joint efforts in peace-making and mediation within multilateral organisations,” the Presidency said. 

As part of the visit, the South African Government will receive a number of heritage artefacts of the Nkuna Royal Family from the Government of Switzerland, reinforcing the shared cultural and historical ties between the two nations.

On Thursday, Presidents Ramaphosa and President Keller-Sutter will visit an industrial firm in eastern Switzerland and a vocational school, highlighting the importance of vocational education and training. 

The school offers dual education and apprenticeship programmes with hands-on workshops, specialised training rooms, and open learning spaces that support practical, connected learning. The visit forms part of a youth cooperation initiative aimed at equipping young people with skills for the modern economy.

The President will also engage with Swiss business leaders, promoting economic development and collaboration across key sectors. 

Switzerland remains one of South Africa’s key European trading partners. Total trade volume amounted to R18.2 billion in 2024 – exports R5.7 billion and imports R12.5 billion – which places Switzerland as the 30th largest export market for South Africa and Switzerland as the 35th largest source of imports. 

However, Swiss statistics include South Africa’s gold exports and these show that total trade had reached R159.5 billion (exports R85.4 billion and imports R74.1 billion). 

This has positioned Switzerland as South Africa’s sixth largest trading partner. South Africa’s primary exports to Switzerland include precious metals and stones – particularly gold, machinery and agricultural products such as wine, fruit and nuts as well as base metals. 

While major imports comprise pharmaceutical products, machinery, and medical equipment. 

The President is accompanied by the Minister of Science, Technology and Innovation, Professor Blade Nzimande; Minister of Higher Education and Training, Buti Manamela, and Deputy Minister of Trade, Industry and Cooperation, Zuko Godlimpi. – SAnews.gov.za

 

DikelediM

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DWYPD commends swift arrest in Mamelodi double murder case

Source: Government of South Africa

DWYPD commends swift arrest in Mamelodi double murder case

The Ministry in the Presidency for Women, Youth and Persons with Disabilities (DWYPD) has commended the swift arrest of a suspect linked to the brutal killing of two young women in Mamelodi East, Pretoria.

The victims, cousins Tshiamo Moramaga (22) and Baleseng Moramaga (21), were found with gunshot wounds in Mamelodi East Extension 17 on Sunday, 26 October 2025.

According to police reports, witnesses alleged that the two women were seen arguing with a man believed to be known to them, shortly before the shooting. Both were later discovered lying next to each other on the side of the road, with gunshot wounds to the head.

Police spokesperson Captain Tintswalo Sibeko confirmed that a 38-year-old man was arrested on Monday in connection with two counts of murder and one attempted murder.

“The police investigation revealed that a third victim, who was shot during the incident, is receiving medical treatment at hospital. Acting on this information, a joint team consisting of detectives from Gauteng Provincial Serious and Violence Crime Unit, Provincial Crime Intelligence, and Mamelodi East Detectives arrested the suspect at a filling station in Pretoria,” Sibeko said.

DWYPD Minister Sindisiwe Chikunga condemned the killings, calling them a “senseless act of violence that has once again robbed families, communities, and our nation of young lives filled with promise.”

“We commend the South African Police Service for its rapid response and urge the criminal justice system to ensure that justice is served without delay. These heinous acts of violence against women cannot and will not be tolerated. Communities must continue to work hand-in-hand with law enforcement to ensure that no perpetrator of gender-based violence and femicide escapes accountability.” Chikunga said.

She said the arrest represents a crucial step towards justice for the victims and their families and serves as a reminder that accountability remains non-negotiable in the fight against Gender-Based Violence and Femicide (GBVF).

The Ministry reiterated that eradicating GBVF requires a whole-of-society approach, involving families, communities, faith leaders, civil society, and the private sector in daily collective efforts to protect women and children.

As South Africa approaches the 16 Days of Activism for No Violence Against Women and Children Campaign, the Ministry called on citizens to reaffirm their commitment to building safe, just, and dignified communities for all.

“We extend our deepest condolences to the Moramaga family and friends during this time of unbearable grief. The lives of two young women have been cut short. Justice must be served — and our nation must never grow numb to such cruelty,” Chikunga said.

The suspect is expected to appear before the Mamelodi Magistrate’s Court on Wednesday, 29 October 2025. – SAnews.gov.za
 

GabiK

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Government announces TAC for abalone fishery

Source: Government of South Africa

Government announces TAC for abalone fishery

The Department of Forestry, Fisheries and the Environment (DFFE) has determined the Total Allowable Catch (TAC) for the South African abalone fishery for the 2025/26 season at 12.01 tons. 

This decision was grounded on the advice of the Abalone Scientific Working Group, which considered Catch-Per-Unit Effort (CPUE) indices, fishery-independent survey data, and updated estimates of illegal catches up to 2025. 

The evidence was unequivocal, said the department, the abalone resource remains critically low, with densities in Zones A–D at 0.02–0.07 abalone per m², requiring the TAC to remain at zero there and be significantly reduced in Zones E–G.

“This precautionary reduction is not taken lightly. It reflects our legal and moral duty to act on the best scientific advice and to prevent the complete collapse of this resource,” said Minister Dion George,” Minister of Forestry, Fisheries and the Environment Dr Dion George said on Tuesday.

The Minister emphasised that the TAC reduction underlines the urgent need to combat the scourge of abalone poaching, with illegal catches in 2023 exceeding 13.85 million abalone, directly undermining legal fisheries and recovery efforts.

“This is why we will move to specifically list dried abalone on Appendix II of the Convention on International Trade in Endangered Species of Wild Fauna and Flora (CITES). Poaching syndicates thrive on the illegal international trade in dried abalone, and this listing announced will close critical loopholes in global enforcement,” the Minister said.

This means that all international trade in dried abalone will require CITES export permits, with shipments subject to strict monitoring, verification, and reporting. 

It will enable better tracking of trade flows, empower customs authorities worldwide to seize illegal consignments, and facilitate international cooperation to dismantle poaching networks.

By regulating this high-value product, we aim to reduce demand for illicit abalone, protect our marine biodiversity, and support the long-term viability of coastal communities dependent on sustainable fisheries. –SAnews.gov.za

 

nosihle

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Minister of Planning, Economic Development, and International Cooperation Arrives in the Kingdom of Saudi Arabia to Participate in the Future Investment Initiative (FII9) Conference

Source: APO


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H.E. Dr. Rania Al-Mashat, Minister of Planning, Economic Development, and International Cooperation, arrived in the Kingdom of Saudi Arabia to participate in the Ninth Edition of the “Future Investment Initiative” (FII9) Conference. The conference is held at the King Abdul Aziz International Conference Center in Riyadh under the theme “The Key to Prosperity” and will continue until October 30.

During its activities, the conference will discuss the challenges hindering investments, the role of modern technologies in accelerating growth through breakthroughs in Artificial Intelligence and emerging technologies, and other topics related to global economic developments at this time.

H.E. Dr. Rania Al-Mashat is scheduled to participate in a number of events, including a main panel discussion titled “Board of Change-Makers: Public-Private Powerbrokers,” which will discuss global challenges encompassing geopolitical tensions, economic fluctuations, and climate change, as well as the importance of effective, trust-based partnerships in facilitating global growth trajectories and shared prosperity.

H.E. Dr. Rania Al-Mashat will also hold multiple bilateral meetings with the private sector during the conference. The conference is expected to see wide participation of more than 8,000 government and private sector officials and 650 speakers, as well as representatives from 20 countries.

Distributed by APO Group on behalf of Ministry of Planning, Economic Development, and International Cooperation – Egypt.

Nigeria’s government is using digital technology to repress citizens. A researcher explains how

Source: The Conversation – Africa – By Chibuzo Achinivu, Visiting Assistant Professor of Political Science, Vassar College

Digital authoritarianism is a new way governments are trying to control citizens using digital and information technology. It is a growing concern for advocacy groups and those interested in freedom and democracy. It is especially worrying for those who initially heralded digital and information technologies as liberating tools that would spread information more easily for citizens.

I have studied the rise of digital authoritarianism in Africa over the last two decades. My most recent study focused on Nigeria, and its turn to digital tools for control after the 2020 #EndSARS Movement protests.

I found that local conflict and development needs drive the Nigerian government’s demand for digital authoritarianism technologies. Foreign suppliers of these technologies are motivated by both economic gain and influence in the region.

The findings are important. Firstly, it signals that the trend of using digital spaces to control populations has reached the African continent. It also shows that the trend is facilitated by foreign actors that provide governments with the technology and expertise.

What is digital authoritarianism?

One way to understand the concept of digital authoritarianism is as a form of governance or set of actions aimed at undermining accountability. It is the use of digital technologies for this goal.

Technology is used to repress voices, keep people under surveillance, and manipulate populations for regime goals and survival.

It includes but is not limited to internet and social media shutdowns. It prioritises the use of spyware to hack and monitor people through their devices. There is mass surveillance using artificial intelligence for facial recognition, and misinformation and disinformation propaganda campaigns.

What drives it in Africa

In Africa these actions are popping up in democracies like Nigeria and in autocracies alike. Perhaps the noticeable difference between these two types of governments is the subtlety of their form of digital authoritarianism and the legal recourse when such actions are unearthed.

Both governance types make claims of national security and public safety to justify these tactics. For instance, former Nigerian information minister Lai Mohammed claimed the 2020 Twitter ban was due to “the persistent use of the platform for activities that are capable of undermining Nigeria’s corporate existence”.

Autocracies are often cruder with their use of blatant tactics. They employ internet and social media shutdowns. This is often due to their unsophisticated digital authoritarianism apparatuses. Democracies often rely on more subtle surveillance and misinformation campaigns to reach their goals.

This all begs the question: what are the drivers of this trend? There are four clear ones:

  • regime survival/political control

  • security and counterterrorism

  • electoral competition and information manipulation

  • modernisation agendas (development).

On the rise

In the African context digital authoritarianism is on the rise. There’s a cohesive relationship between the foreign suppliers of the hardware, expertise and domestic demand. This demand stems from authoritarian regimes as well as regimes accessing digital systems to consolidate and modernise. There are also hybrid regimes, which are countries with a mixture democratic and authoritarian institutions.

States like China, Russia, Israel, France and the US supply both the technology and instruction or best practices to African regimes. Reasons for supply include economic gain and regional influence.

On the demand side, African regimes seek out digital authoritarianism tools mainly for development needs and for conflict resolution. Some of the largest consumers are Kenya, Rwanda, Uganda, Nigeria and Ghana.

The study

I found there was evidence that Nigeria’s development goals and efforts to quell conflicts drive the use of technology to repress its people. Using the example of the #EndSARS movement, social media platform shutdowns and efforts to build a firewall akin to China’s great firewall serve as evidence for this.

In the days following Twitter’s removal of a post by President Muhammadu Buhari, Twitter was banned in Nigeria. The administration cited its use to further unrest, instability, and secessionist movements. There were claims that this step was taken to maintain internet sovereignty.

However, the ban also undermined social movements that were successfully holding the government accountable. Following domestic and international outcry over the ban, there were reports that the Nigerian government had approached China. The purpose of the contact was to replicate their “Great Firewall” in Nigeria’s internet control apparatus. (The focus of China’s project is to monitor and censor what can and cannot be seen through an online network in China.) This would allow the state to manage access to certain cites and block unwanted content from reaching Nigerians.

On the supply side, China’s economic commitments to the country and concerted efforts to cultivate certain norms in the country and region offer insights into the motivations for supply in this case and the broader continent.

Again, regime type dictates just how these technologies will be used. Interviews conducted with permanent secretaries and ministers of Nigerian ministries were particularly revealing. They confirmed that repressive government practices in the real world are informing their activity in digital spaces.

For instance, they intimated that the repression that occurs during protests in the streets in order to manage “lawlessness” is being replicated online. Its purpose is to ensure peace and stability.

For development needs, countries like Nigeria initially seek out foreign suppliers to furnish them with state of the art technology systems. The objective is to establish or refurbish their information and communications technology apparatuses.

These include but are not limited to national broadband networks) such as fiber optic networks, mobile telecommunications networks and smart city governance systems. Though these are often not repressive in nature, they are capable of dual use. Thus, these development needs provide technologies that are then utilized in an authoritarian fashion for state building goals.

There is also evidence that some suppliers provide instruction on how to use these technologies for repression. In some instances, under the guise of development needs, regimes seek out more repressive tools such as spyware alongside these infrastructural development programs. At this stage, the boundary between development and security blurs, as modernization becomes a vehicle for national security, cyber defense, regime protection, and information control.

What can be done?

I propose a three-pronged approach to address the three drivers. First of all, more has to be done on the international front to curb the sale of repressive tools to states. There must be a conversation about the norms of these technologies and their use for repression in both democracies and autocracies.

On the demand side, it appears those practices that have plagued the hopes of freedom and democracy in the real world have to be addressed. Naturally, no movement on the digital front is complete without a real world manifestation. It seems logical that eradicating digital repression necessitates addressing repression in general.

Finally, regulatory legal and institutional oversight alongside human rights benchmarks must be achieved. These will accompany digital and privacy rights in cyberspace.

– Nigeria’s government is using digital technology to repress citizens. A researcher explains how
– https://theconversation.com/nigerias-government-is-using-digital-technology-to-repress-citizens-a-researcher-explains-how-267032

Luxury tourism is a risky strategy for African economies – new study of Botswana, Mauritius, Rwanda

Source: The Conversation – Africa – By Pritish Behuria, Reader in Politics, Governance and Development, Global Development Institute, University of Manchester

How successful is luxury tourism in Africa? What happens if it fails to produce higher tourism revenues: can it be reversed? And does it depend on what kind of government is in place?

Pritish Behuria is a scholar of the political economy of development who has conducted a study in Botswana, Mauritius and Rwanda to find answers to questions like this. We asked him about his findings.


What is luxury tourism and how prevalent is it in Africa?

Luxury tourism aims to attract high-spending tourists to stay at premium resorts and lodges or visit exclusive attractions. It’s a strategy that’s being adopted widely by governments around the world and also in African countries.

It’s been promoted by multilateral agencies like the World Bank and the United Nations, as well as environmental and conservation organisations.

The logic underlying luxury tourism is that if fewer, high-spending tourists visit, this will result in less environmental impact. It’s often labelled as a “high-value, low-impact” approach.


Read more: Why your holiday flight is still not being powered by sustainable aviation fuel


However, studies have shown that luxury tourism does not lead to reduced environmental impact. Luxury tourists are more likely to use private jets. Private jets are more carbon intense than economy class travel. Supporters of luxury tourism also ignore that it reinforces economic inequalities, commercialises nature and restricts land access for indigenous populations.

In some ways, of course, the motives of African countries seem understandable. They remain starved of much-needed foreign exchange in the face of rising trade deficits. The allure of luxury tourism seems almost impossible to resist.

How did you go about your study?

I have been studying the political economy of Rwanda for nearly 15 years. The government there made tourism a central part of its national vision.

Over the years, many government officials and tourism stakeholders highlighted the challenges of luxury tourism strategies. Even so, there remains a single-mindedness to prioritise luxury tourism.

I found that, in Rwanda, luxury tourism resulted in a reliance on foreign-owned hotels and foreign travel agents, exposing potential leakages in tourism revenues. Crucially, tourism was not creating enough employment. There was also a skills lag in the sector. Employees were not being trained quickly enough to meet the surge of investments in hotels.


Read more: What cost-of-living crisis? Luxury travel is booming – and set to grow further


So I decided to investigate the effects of luxury tourism in other African countries. I wanted to know who benefits and how it is being reversed in countries that are turning away from it.

I interviewed government officials, hotel owners and other private sector representatives, aviation officials, consultants and journalists in all three countries. Added to this was a thorough review of economic data, industry reports and grey literature (including newspaper articles).

What are your take-aways from Mauritius?

Mauritius was the first of the three countries to explicitly adopt a luxury tourism strategy. In the late 1970s and early 1980s the government began to encourage European visitors to the island’s “sun-sand-sea” attractions. Large domestic business houses became lead investors, building luxury hotels and buying coastal land.

Over the years, tourism has provided significant revenues for the Mauritian economy. By 2019, the economy was earning over US$2 billion from the sector (before dropping during the COVID pandemic).

However, tourism has also been symbolic of the inequality that has characterised Mauritius’ growth. The all-inclusive resort model – where luxury hotels take care of all of a visitor’s food and travel needs themselves – has meant that the money being spent by tourists doesn’t always enter the local economy. A large share of profits remains outside the country or with large hotels.

After the pandemic, the Mauritian government took steps to loosen its focus on luxury tourism. It opened its air space to attract a broader range of tourists and re-started direct flights to Asia. There’s growing agreement within government that the opening up of tourism will go some way towards sustaining revenues and employment in the sector. Especially as some other key sectors (like offshore finance) may face an uncertain future.

And from Botswana?

Botswana followed Mauritius by formally adopting a luxury tourism strategy in 1990. Its focus was on its wilderness areas (the Okavango Delta) and wildlife safari lodges. For decades, there were criticisms from scholars about the inequalities in the sector.

Most lodges and hotels were foreign owned. Most travel agencies that booked all-inclusive trips operated outside Botswana. There were very few domestic linkages. Very little domestic agricultural or industrial production was used within the sector.

Guides take tourists across Botswana’s Okavango delta in boats. Diego Delso/Wikimedia Commons, CC BY-SA

However, I found that the direction of tourism policies had also become increasingly political. Certain politicians were aligned with conservation organisations and foreign investors in prioritising luxury tourism. Former president Ian Khama, for example, banned trophy hunting on ethical grounds in 2014. He pushed photographic tourism, where travellers visit destinations mainly to take photos. But critics allege he and his allies benefited from the push for photographic tourism.

Photographic tourism is closely linked with the problematic promotion of “unspoilt” wilderness areas that conform to foreign ideas about the “myth of wild Africa”.

President Mokgweetsi Masisi reversed the hunting ban once he took power. He argued it had adverse effects on rural communities and increased human-wildlife conflict. He believed that regulated hunting could be a tool for better wildlife management and could produce more benefits for communities.

Since the latter 2010s, Botswana’s government has loosened the emphasis on luxury tourism and tried to diversify tourism offerings. It has relaxed visa regulations for Asian countries, for example, to allow a wider range of tourists to visit more easily.

What about Rwanda?

Of the three cases, Rwanda was the most recent to adopt a luxury tourism strategy. However, it has remained the most committed to this strategy. Rwanda’s model is centred on mountain gorilla trekking and premium wildlife experiences. It’s augmented by Rwanda’s attempt to become a hub for business and sports tourism through high-profile conferences and events.

Gorillas are a key attraction for luxury tourists in Rwanda. Gatete Pacifique/Wikimedia Commons, CC BY-SA

Rwanda invited global hotel brands (like the Hyatt and Marriott) to build hotels and invested heavily in the country’s “nation brand” through sponsoring sports teams. The “luxury” element is managed through maintaining a high price to visit the country’s main tourist attraction: mountain gorillas. Rwanda is one of the few countries where mountain gorillas live.

After the pandemic, the government lowered prices to visit mountain gorillas but has also regularly stated its commitment to luxury tourism.

What did you learn by comparing the three?

I wanted to know why some countries reverse luxury tourism strategies once they fail while others don’t.

It is quite clear that luxury tourism strategies will always have disadvantages. As this study shows, luxury tourism repeatedly benefits only very few actors (often foreign investors or foreign-owned entities) and does not create sufficient employment or provide wider benefits for domestic populations. My research shows that the political pressure faced by democratic governments (like Botswana and Mauritius) forced them to loosen their luxury tourism strategies. This was not the case in more authoritarian Rwanda.


Read more: Travelling in 2025? Here’s how to become a ‘regenerative’ tourist


Rwanda’s position goes against a lot of recent literature on African political economy, which argues that parties with a stronger hold on power would be able to deliver better development outcomes.

While that may be case in some sectors, the findings of this study suggest that weaker political parties may actually be more responsive to changing policies that are creating inequality than countries with stronger political parties in power.

– Luxury tourism is a risky strategy for African economies – new study of Botswana, Mauritius, Rwanda
– https://theconversation.com/luxury-tourism-is-a-risky-strategy-for-african-economies-new-study-of-botswana-mauritius-rwanda-267877

Ecoball: how to turn picking up litter into a game for kids

Source: The Conversation – Africa – By Solaja Mayowa Oludele, Lecturing, Olabisi Onabanjo University

Every year humanity produces nearly 300 million tonnes of plastic. Only a fraction ever gets recycled. Most ends up in rivers, oceans and soil, slowly breaking down into tiny, invisible microplastics that get into what we eat and drink.

Decades of recycling drives and policy bans have not altered the deep-rooted behaviours behind this crisis. But what if the next big environmental solution isn’t a new law or technology – but a game?

I am an environmental sociologist and behaviour change researcher from Nigeria. I developed a game called EcoBall in 2023 as a social innovation that makes sport a tool for sustainability.

The concept is discussed in my peer-reviewed paper.

EcoBall reimagines football as a discipline of training for environmental stewardship. Instead of chasing goals alone, teams compete to collect, sort and creatively reuse plastic waste. Each match becomes a live demonstration of the circular economy – the idea that materials should be reused, not discarded.

Here I describe how the game works, why it influences people’s behaviour, and what we found when we tested it in Nigerian schools and youth clubs.

Three zones, one planet

An EcoBall match uses a real ball made from tightly woven recycled plastic bags – the “EcoBall” itself. Two or more teams compete across three timed “learning zones”, combining physical play with environmental tasks.

• Collection zone (10-15 minutes): To start play, the ball is placed at the centre of the field. Players pass and dribble it like they would in football or handball. The pitch or play area is scattered with lightweight, clean plastic litter. Teams race to gather the litter from the designated area and place it in a team bag or collection net along the sidelines before rejoining the game. Points are awarded for the amount and diversity of plastics collected.

• Sorting zone: Back on the pitch, players classify the plastics correctly (PET bottles, sachets, nylon wrappers and so on). Accurate sorting earns additional points and practical recycling knowledge. Teams earn points for goals and for the quantity or weight of litter collected.

• Creative zone: After each game, the collected plastics are sorted and delivered to recycling or upcycling partners. Using selected materials, teams craft new items – from art pieces to flower planters or even another EcoBall. Judges score on creativity, teamwork and utility.

Participants also engage in short reflective or educational sessions to discuss plastic pollution, sustainability habits, and collective responsibility.

The champion is not only the fastest but also the team with the most environmental impact.

What seems to be a game is really learning through doing. Participants learn sustainability not by being preached at but by doing it, competing and relishing their achievements together.

The psychology behind the game

EcoBall draws on two social-science ideas: the theory of planned behaviour and social capital theory. The first explains why people adopt sustainable habits. By making recycling fun, social and rewarding, EcoBall reshapes attitudes and perceived norms – the key drivers of behaviour.

The second highlights the power of trust and networks. EcoBall builds these bonds as teams collaborate and share victories, creating social momentum that keeps environmental action alive long after the game ends.

In designing and evaluating EcoBall, I combined these theories with research on sport-for-development and environmental education. Where I was both participant-observer and referee, the assessment compared data from questionnaires, focus groups and observation diaries. The design allowed for transparency, credibility, and contextual validity in interpretation of EcoBall’s impact on environmental attitudes and behaviours.

Tested on the field

Pilot sessions were conducted at several schools and youth clubs across Ogun State to ascertain the level to which EcoBall enhances environmental awareness, cooperation and pro-active participation in plastic litter removal.

The pilots were community-led and research-motivated and were supported by small donations from local NGOs and schools, and recycling businesses which provided gloves, collection bags and bins.


Read more: Plastic pollution in Nigeria: whose job is it to clean up the mess?


Instructors reported increased cooperation and leadership. Players described being more responsible for their surroundings, and some of them formed neighbourhood clean-up clubs which extended weeks beyond the games. While the long-term effect is yet to be studied, these early findings show that EcoBall is likely to induce actual behavioural change.

From waste to wealth

EcoBall also shows that environmental action can create livelihoods. In one pilot, students built benches and flower planters from bottles gathered during matches. Others began selling up-cycled crafts, while the organisation of events – coaching, logistics and recycling partnerships – generated new work opportunities.

Such experiences echo the circular-economy principle of turning waste into worth.

Uniting generations and communities

Because EcoBall requires little equipment – just gloves, bags and open space – it thrives in low-resource communities.

The design was intentionally simple, ensuring accessibility and inclusion where conventional sports infrastructure is absent.

Although EcoBall is inexpensive to initiate, its long-term delivery as a structured sport-for-development and environmental education programme requires sustained funding. Investment is needed for facilitator training, community engagement, and monitoring activities. This is typical of community interventions: low-cost to launch but funding-dependent to sustain and scale.

Children, parents, and grandparents can play together, bridging generations and backgrounds. This shared passion generates a feeling of ownership of public spaces and renewed pride in keeping them clean.


Read more: Not sure how to keep your kids busy and happy these holidays? Here are five tips.


Schools are able to incorporate EcoBall into extracurricular activities, municipalities can organise tournaments tied in with cleanup initiatives, and corporations can make it part of their corporate social responsibility initiatives.

Following early successes, two NGOs that work with youth development have begun using EcoBall in their environmental clubs, and discussions are underway with the National Youth Service Corps to introduce it into community services.

Challenges and opportunities

No innovation is challenge-free. EcoBall needs consistent funding, materials and cultural adaptation. Keeping players engaged may require creative incentives – such as mobile apps to track points or online leaderboards connecting communities globally.

Yet these hurdles create opportunities. A “World EcoBall Cup” could one day unite cities or nations, rewarding those who divert the most plastic from the environment.

Instead of medals, winners would boast cleaner beaches and thriving circular economies.

Play for the planet

The global plastic crisis demands solutions that move people, not just policies.

EcoBall does exactly that – bringing sport together with green purpose and demonstrating that climate action has the power to be human, inclusive and fun.


Read more: Informal waste collection shouldn’t let plastic polluters off the hook: here’s why


It is not the sole responsibility of scientists or policymakers to fight pollution. It belongs to everyone willing to pick up a ball – or a bottle – and make a difference.

– Ecoball: how to turn picking up litter into a game for kids
– https://theconversation.com/ecoball-how-to-turn-picking-up-litter-into-a-game-for-kids-267888