SADC Water and Energy Ministers to meet ahead of Ordinary Summit

Source: Government of South Africa

SADC Water and Energy Ministers to meet ahead of Ordinary Summit

Ministers responsible for Energy and Water in the Southern African Development Community (SADC) will meet to deliberate on strategic issues aimed at strengthening regional energy security and improving water resource management.

The joint meeting will take place from 14 – 17 July 2026 in Pretoria, Republic of South Africa, in a hybrid format.

“[The meeting will] deliberate on strategic issues aimed at strengthening regional energy security, improving water resource management, and accelerating sustainable socio-economic development across the SADC region.

“The meeting will bring together Ministers, Senior Officials, representatives of the SADC Secretariat, Regional Institutions, Cooperating Partners and other stakeholders to review progress in implementing regional programmes and projects in the energy and water sectors, while providing policy direction on emerging priorities,” the SADC said in a statement.

The Ministers meet ahead of the 46th Ordinary Summit of SADC Heads of State and Government, which will be held in August.

Energy Ministers are expected to review the electricity demand and supply in the region and assess progress made in “implementing regional energy projects designed to strengthen energy security”.

“Discussions will also focus on expanding renewable energy deployment, promoting energy efficiency, advancing the implementation of the Dar es Salaam Declaration on Mission 300 to increase electricity access in Sub-Saharan Africa by 2030, and promoting the development of hydrocarbons infrastructure, including fuel pipelines and storage facilities.

“Ministers will further deliberate on emerging technologies such as green hydrogen, smart grids and electric mobility, progress towards a regional Just Energy Transition Framework, clean cooking initiatives, and the outcomes of the 2026 SADC Sustainable Energy Week,” the statement read.

Meanwhile, Ministers of Water will turn their attention to “progress made in implementing regional water and sanitation projects, transboundary water initiatives coordinated through River Basin Organisations and Shared Water Institutions, as well as the implementation of previous Council decisions”.

“The meeting will also review progress under the SADC Groundwater Programme and the SADC Water Fund, while considering the extension of the implementation period for the Fifth Regional Strategic Action Plan (RSAP-V) to 2030.

“In addition, Ministers will discuss the review of the Revised Protocol on Shared Watercourses, human capacity development, and the Regional Research Agenda,” the statement continued.

The outcomes of the meeting will provide guidance for accelerating implementation of the SADC’s regional programmes aimed at achieving the objectives of the SADC Regional Indicative Strategic Development Plan (RISDP 2020-2030), the African Union Agenda 2063, and the United Nations Sustainable Development Goals.

“The Joint Meeting forms part of SADC’s continued efforts to promote regional integration through coordinated policy implementation, sustainable infrastructure development, improved access to reliable energy services, enhanced water security, climate resilience, and inclusive economic growth,” the statement read. – SAnews.gov.za

 

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Tributes continue for Adams and Makwedini 

Source: Government of South Africa

Tributes continue for Adams and Makwedini 

Tributes continue to pour in for Bafana Bafana and Mamelodi Sundowns midfielder Jayden Adams and former South African Rugby Under-18 prop Luqobo Makwedini.

Sport, Arts and Culture Minister Gayton McKenzie said he learned with deep sadness of the passing of Makwedini.

“Luqobo’s journey is one that speaks to the very best of what South African sport can produce. Born in Komga in the Eastern Cape, his talent on the field earned him a scholarship to Wynberg Boys High School in Cape Town, where his performances in the front row earned him national recognition at Under-18 level. 

“He went on to sign a three-year contract with Béziers [AS Béziers Hérault] and was on the cusp of realising his dream of professional senior rugby ahead of the club’s 2026/27 Pro D2 campaign,” said the Minister.

Makwedini collapsed during a training session on Friday.

“I extend my deepest condolences to Luqobo’s family, particularly at this time of grief, as well as his friends,teammates , Wynberg Boys High School, the entire AS Béziers Hérault family and the South African rugby community,” said the Minister in a statement on Saturday.

The Minister also conveyed his condolences to the family of Jayden Adams.

“South African football has lost one of its brightest young talents, and our nation mourns alongside his family, his teammates and the millions of supporters who watched him grow from a promising academy prospect into a full Bafana Bafana international,” the Minister said.

He added that Adams had featured in all three of South Africa’s group matches in the 2026 FIFA World Cup.

“On behalf of the Department of Sport, Arts and Culture, I extend my deepest condolences to Jayden’s family, his young daughter, his teammates at Mamelodi Sundowns, his fellow Bafana Bafana players and coaching staff, the South African Football Association, and the entire football fraternity,” said the Minister.

President Cyril Ramaphosa also conveyed his condolences to the families of the deceased players.

“It is particularly tragic that we are suffering the loss of two outstanding young athletes at a time when our nation continues to immerse itself in the FIFA World Cup tournament, as well as the Springboks’ and Springbok Women’s matches against Scotland and the USA Eagles in Pretoria today,” the President said on Saturday.

READ | President Ramaphosa mourns the deaths of young sportsmen

In a post on social media platform X, Bafana Bafana said South African football mourns the loss of a talented player whose passion, dedication, and love for the beautiful game inspired many.

“Our heartfelt condolences go out to his family, loved ones, teammates, and everyone affected by this devastating loss. May his soul rest in eternal peace. You will never be forgotten, Jayden,” said Bafana Bafana. –SAnews.gov.za

 

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President Ramaphosa mourns the deaths of young sportsmen

Source: Government of South Africa

President Ramaphosa mourns the deaths of young sportsmen

President Cyril Ramaphosa has extended condolences to the families of Bafana Bafana and Mamelodi Sundowns midfielder Jayden Adams and former South African Rugby Under-18 prop Luqobo Makwedini, following the announcement of their deaths on Saturday.

Adams, 25, who participated in Bafana Bafana’s matches at the 2026 FIFA World Cup, was found deceased at his Cape Town home.

Makwedini, 20, passed away after reportedly suffering cardiac arrest during a training session of his French-based rugby team.

“It is particularly tragic that we are suffering the loss of two outstanding young athletes at a time when our nation continues to immerse itself in the FIFA World Cup tournament, as well as the Springboks’ and Springbok Women’s matches against Scotland and the USA Eagles in Pretoria today,” the President said on Saturday.

The President said he was grateful for the “joy and victories Jayden and Luqobo have given us and their teams as they lived their dreams” and held South Africa’s name high on the scoreboards of global sport.

“May their souls rest in peace,” President Ramaphosa said. – SAnews.gov.za

 

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La Kolwezi Fashion Week clôture une deuxième édition historique — et annonce l’émergence d’une nouvelle capitale de la mode au cœur de l’Afrique

Source: Africa Press Organisation – French

La Kolwezi Fashion Week (KZIFW) (www.KziFashionWeek.com) a clôturé sa deuxième édition, Héritage en Lumière, le 5 juillet, avec Fashion Talk, un panel de clôture consacré au rôle de la mode comme moteur de développement économique. Les échanges ont réuni créateurs, entrepreneurs, décideurs politiques et chefs d’entreprise autour de l’impact mesurable de la mode sur les économies locales, offrant une conclusion à la hauteur de l’une des productions culturelles les plus ambitieuses jamais organisées en République démocratique du Congo.

Du premier défilé, le 1er juillet, à la conversation de clôture du 5 juillet, la KZIFW a transformé Kolwezi — ville depuis longtemps reconnue pour les richesses enfouies dans son sous-sol — en une scène célébrant la créativité qui s’épanouit à sa surface. En cinq jours, créateurs de renommée internationale, jeunes talents congolais, acheteurs, journalistes, figures culturelles et visiteurs se sont réunis pour assister à un nouveau chapitre de la mode africaine.

Lors de la première édition, la Kolwezi Fashion Week s’est présentée au monde. Cette édition, à peine sept mois plus tard, l’a imposée comme l’une des plateformes de mode les plus ambitieuses du continent.

Une célébration de l’excellence africaine

La soirée d’ouverture a été délibérément confiée aux créateurs congolais Pero LM Africa, David Insilo, Kitendi Couture et Marc Yves Creation, dont les collections ont incarné la résilience, l’innovation et la confiance culturelle d’une nouvelle génération de la mode congolaise.

Le programme international qui a suivi a accueilli certains des noms les plus célèbres du continent, parmi lesquels Taibo Bacar (Mozambique), Danayi Madondo de Haus of Stone (Zimbabwe), Bouboucar Midaye de Mida Style (Mali) et Eric Raisina (Madagascar), confirmant l’ambition de la Kolwezi Fashion Week de devenir un point de rencontre de la création africaine.

Chaque défilé a été diffusé à l’échelle nationale via Télé 50, Mikuba TV et en livestream numérique, tandis que le partenaire beauté MAC Cosmetics assurait la direction artistique en coulisses tout au long de la semaine, imposant un niveau de production qui place Kolwezi aux côtés des capitales établies de la mode.

Le Fashion Village : la mode pour tous

Du 3 au 5 juillet, le Fashion Village a transformé la KZIFW en une célébration appartenant à la ville tout entière. Conçu comme un festival familial gratuit en marge du programme des défilés, il a rassemblé performances live, créateurs et artisans locaux, conférences pédagogiques, concours de création, activités pour enfants et expériences culturelles, reliant directement la mode à la communauté.

Bien plus qu’un festival, le Fashion Village est devenu un véritable marché de la créativité congolaise, offrant aux marques émergentes un accès direct aux consommateurs tout en créant de nouvelles opportunités de collaboration entre créateurs, artisans, médias et acheteurs internationaux.

En chiffres

La deuxième édition a accueilli plus de 1 600 invités, dont plus de 170 créateurs, journalistes et acheteurs internationaux ; elle a réuni 25 créateurs — dont 20 Congolais et 5 créateurs africains internationaux — et présenté 20 collections sur cinq jours de programmation. Le défilé d’ouverture à lui seul a touché environ 15 000 spectateurs en direct via la télévision nationale, la diffusion régionale et le livestream numérique, tandis que l’événement a généré plus de 5 millions de vues sur les réseaux sociaux au cours de la semaine, soulignant l’influence grandissante de la Kolwezi Fashion Week à travers l’Afrique et au-delà.

« Cette deuxième édition a prouvé qu’une mode de classe mondiale peut émerger de lieux que l’industrie a trop souvent négligés. Kolwezi devient un point de rencontre de la créativité panafricaine, où créateurs, artisans et visionnaires se réunissent pour façonner l’avenir de notre industrie. Notre ambition n’a jamais été simplement d’organiser une fashion week, mais de bâtir une institution qui crée des opportunités, transforme les communautés et inscrit durablement la mode congolaise sur la scène internationale », a déclaré Marie Natacha Masuka, fondatrice de la Kolwezi Fashion Week.

Un tissu qui raconte l’histoire de Kolwezi

L’un des moments forts de cette édition fut le dévoilement d’un tissu wax exclusif, conçu par la Kolwezi Fashion Week et développé en partenariat avec Wax Bazaar, une marque textile congolaise. Inspiré du paysage aérien des mines à ciel ouvert de Kolwezi, le motif transforme l’héritage minier de la ville en un récit textile contemporain. Ses bleus cobalt et ses roses éclatants évoquent les minerais qui ont placé la République démocratique du Congo au centre de la transition énergétique mondiale, tandis que ses verts malachite rendent hommage à un autre des trésors naturels du pays.

Ce tissu prolonge l’histoire amorcée avec le thème de l’an dernier, Extraction of Style, transformant le langage de l’extraction en celui de la création. Il a été dévoilé lors du défilé de clôture inclusif du festival, où la légendaire créatrice congolaise Fanny Mandina a partagé la scène avec de jeunes créateurs de Kolwezi, dont Kashal’Art, illustrant l’engagement de la Kolwezi Fashion Week à célébrer l’héritage tout en investissant dans la prochaine génération de talents congolais.

Fashion Talk : construire une industrie

La deuxième édition ne s’est pas achevée sur une fête, mais sur une conversation. Fashion Talk, le panel de clôture officiel, a réuni organisateurs, créateurs et chefs d’entreprise pour examiner l’impact économique mesurable de la mode — de la création d’emplois au tourisme, en passant par la fabrication et le développement industriel de long terme. Sa conclusion fut sans équivoque : la mode n’est pas un luxe ; c’est une industrie.

Cet impact était déjà visible tout au long de la semaine. La Kolwezi Fashion Week a généré plus de 300 emplois directs dans la production, la communication, l’hôtellerie, la beauté, le stylisme, la logistique et les opérations techniques, créant des opportunités pour des centaines de mannequins, artisans, photographes, techniciens et entrepreneurs locaux. À mesure que la plateforme se développe, elle devrait créer environ 100 emplois permanents, posant les fondations à la fois d’une industrie événementielle professionnelle et d’un écosystème de la mode florissant en République démocratique du Congo.

Mais l’ambition dépasse largement les cinq jours de l’événement. À travers la Fondation Marie Natacha Masuka, en partenariat avec le célèbre créateur congolais Papy Kaluw d’Urban Zulu, la Kolwezi Fashion Week contribue à l’établissement d’une industrie de la confection dans la région du Lualaba. En formant des jeunes et des femmes au patronage, à la couture et à la production de vêtements, l’initiative développe une main-d’œuvre qualifiée, soutient la capacité de fabrication locale et participe à la renaissance de long terme de l’industrie textile de la République démocratique du Congo. Ensemble, ces initiatives font de la mode non seulement une expression culturelle, mais un catalyseur de développement industriel, d’entrepreneuriat et de croissance économique durable.

Ce faisant, la Kolwezi Fashion Week continue de repositionner Kolwezi et la province du Lualaba comme une destination de créativité, de culture, d’innovation et de tourisme — et non plus seulement d’exploitation minière.

« Kolwezi a toujours donné au monde », ont déclaré les organisateurs. « Cette semaine, le monde est venu à Kolwezi et en est reparti avec une nouvelle image de qui nous sommes. C’est là l’héritage de cette édition, et le socle de la prochaine. »

Perspectives

La Kolwezi Fashion Week exprime sa gratitude à ses sponsors, partenaires, créateurs, bénévoles, partenaires de diffusion et partenaires beauté et, par-dessus tout, aux habitants de Kolwezi, dont la chaleur et l’hospitalité ont marqué la semaine autant que n’importe quelle collection sur le podium.

La préparation de la troisième édition débute immédiatement, la Kolwezi Fashion Week poursuivant sa mission : faire de la République démocratique du Congo l’une des grandes destinations africaines de la mode, de la créativité et de l’innovation culturelle.


  • Événement : Kolwezi Fashion Week (KZIFW), 2ᵉ édition — « Héritage en Lumière » 
  • Dates : 1er–5 juillet 2026 · Lieu : Kolwezi, province du Lualaba, République démocratique du Congo
  • Fondatrice : Marie Natacha Masuka
  • Créateurs internationaux à l’affiche : Taibo Bacar, Danayi Madondo (Haus of Stone), Bouboucar Midaye (Mida Style), Eric Raisina
  • Créateurs congolais de la soirée d’ouverture : Pero LM Africa, David Insilo, Kitendi Couture, Marc Yves Creation
  • Fashion Village (festival familial) : 3–5 juillet — artistes, créateurs locaux, concours et activités pour tous les âges
  • Événement de clôture : Fashion Talk — panel sur l’impact économique de la fashion week (5 juillet)
  • Partenaires de diffusion : Télé 50, Mikuba TV · Partenaire beauté : MAC Cosmetics
  • Invités internationaux : plus de 170 (créateurs, médias, acheteurs et figures culturelles)
  • Images haute résolution des défilés et demandes d’interview disponibles auprès du Bureau de presse

Distribué par APO Group pour Kolwezi Fashion Week.

Contact Presse : 
Kolwezi Fashion Week — Bureau de presse 
E-mail : info@kzifashionweek.com
Téléphone : +243 990 713 333 
Web : www.KziFashionWeek.com

À propos de la Kolwezi Fashion Week : 
La Kolwezi Fashion Week (KZIFW) est un événement de mode international annuel organisé à Kolwezi, en République démocratique du Congo. Fondée par Marie Natacha Masuka pour mettre en lumière les talents de la création congolaise et africaine, la KZIFW réunit créateurs, médias et acteurs de l’industrie autour d’un programme de plusieurs jours de défilés, d’expositions et d’expériences culturelles — inscrivant Kolwezi et la RDC sur la carte de la mode mondiale. La KZIFW est organisée par BEE Events Management LLC.

Media files

Kolwezi Fashion Week closes a landmark second edition — and declares a new fashion capital rising in the heart of Africa

Source: APO

Kolwezi Fashion Week (KZIFW) (www.KziFashionWeek.com) concluded its second edition, Héritage en Lumière, on July 5 with Fashion Talk, a closing panel dedicated to the role of fashion as an engine for economic development. The discussion brought together designers, entrepreneurs, policymakers and business leaders to examine the measurable impact of fashion on local economies, marking a fitting conclusion to one of the most ambitious cultural productions ever staged in the Democratic Republic of the Congo.

From the opening runway on July 1 to the closing conversation on July 5, KZIFW transformed Kolwezi—a city long recognized for the extraordinary wealth beneath its soil—into a stage for the creativity flourishing above it. Over five days, internationally acclaimed designers, emerging Congolese talent, buyers, journalists, cultural leaders and visitors gathered to witness a new chapter in African fashion.

Last edition, Kolwezi Fashion Week introduced itself to the world. This edition, just seven months later, it established itself as one of the continent’s most ambitious fashion platforms.

A Celebration of African Excellence

The opening night was deliberately entrusted to Congolese designers Pero LM Africa, David Insilo, Kitendi Couture, and Marc Yves Creation, whose collections embodied the resilience, innovation and cultural confidence of a new generation of Congolese fashion.

The international programme that followed welcomed some of Africa’s most celebrated names, including Taibo Bacar (Mozambique), Danayi Madondo of Haus of Stone (Zimbabwe), Bouboucar Midaye of Mida Style (Mali), and Eric Raisina (Madagascar), reinforcing Kolwezi Fashion Week’s ambition to become a meeting point for African creativity.

Every runway was broadcast nationally through Télé 50, Mikuba TV, and digital livestreaming, while beauty partner MAC Cosmetics led backstage artistry throughout the week, delivering a production standard that placed Kolwezi alongside established fashion capitals.

The Fashion Village: Fashion for Everyone

From July 3 to 5, the Fashion Village transformed KZIFW into a celebration belonging to the entire city. Conceived as a free family festival alongside the runway programme, it brought together live performances, local designers and artisans, educational talks, design competitions, children’s activities and cultural experiences that connected fashion directly with the community.

More than a festival, the Fashion Village became a marketplace for Congolese creativity, providing emerging brands with direct access to consumers while creating new opportunities for collaboration between designers, artisans, media and international buyers.

By the Numbers

The second edition welcomed more than 1,600 guests, including 170+ international designers, media and buyers; hosted 25 designers—including 20 Congolese and 5 international African designers—and presented 20 collections across five days of programming. The opening runway alone reached an estimated 15,000 live viewers through national television, regional broadcast and digital livestreaming, while the event generated more than 5 million social media views during the week, underscoring Kolwezi Fashion Week’s rapidly growing influence across Africa and beyond.

“This second edition proved that world-class fashion can emerge from places the industry has too often overlooked. Kolwezi is becoming a meeting point for pan-African creativity, where designers, artisans and visionaries come together to shape the future of our industry. Our ambition has never been simply to host a fashion week, but to build an institution that creates opportunities, transforms communities and firmly establishes Congolese fashion on the international stage,” said Marie Natacha Masuka, founder of Kolwezi Fashion Week.

A Fabric That Tells Kolwezi’s Story

One of the defining moments of this edition was the unveiling of an exclusive wax fabric conceived by Kolwezi Fashion Week and developed in partnership with Wax Bazaar, a Congolese textile brand. Inspired by the aerial landscape of Kolwezi’s open-pit mines, the design transforms the city’s mining heritage into a contemporary textile narrative. Its vibrant cobalt blues and pinks evoke the minerals that have positioned the Democratic Republic of the Congo at the centre of the global energy transition, while its malachite greens pay tribute to another of the country’s natural treasures.

The fabric continues the story begun with last year’s theme, Extraction of Style, transforming the language of extraction into one of creation. It debuted during the festival’s inclusive closing runway, where legendary Congolese designer Fanny Mandina shared the runway with emerging designers from Kolwezi, including Kashal’Art, illustrating Kolwezi Fashion Week’s commitment to celebrating heritage while investing in the next generation of Congolese talent.

Fashion Talk: Building an Industry

The second edition concluded not with a party, but with a conversation. Fashion Talk, the official closing panel, brought together organizers, designers and business leaders to examine the measurable economic impact of fashion—from job creation and tourism to manufacturing and long-term industrial development. Its conclusion was unequivocal: fashion is not a luxury; it is an industry.

That impact was already visible throughout the week. Kolwezi Fashion Week generated more than 300 direct jobs across production, communications, hospitality, beauty, styling, logistics and technical operations, creating opportunities for hundreds of local models, artisans, photographers, technicians and entrepreneurs. As the platform expands, it is projected to create approximately 100 permanent jobs, laying the foundations for both a professional event industry and a thriving fashion ecosystem in the Democratic Republic of the Congo.

But the ambition extends far beyond the five-day event. Through the Marie Natacha Masuka Foundation, in partnership with renowned Congolese designer Papy Kaluw of Urban Zulu, Kolwezi Fashion Week is helping establish a garment manufacturing industry in the Lualaba region. By training young people and women in pattern-making, sewing and garment production, the initiative is developing a skilled workforce, supporting local manufacturing capacity and contributing to the long-term revival of the Democratic Republic of the Congo’s textile industry. Together, these initiatives position fashion not only as a cultural expression, but as a catalyst for industrial development, entrepreneurship and sustainable economic growth.

In doing so, Kolwezi Fashion Week continues to reposition Kolwezi and the Lualaba Province as a destination for creativity, culture, innovation and tourism, not only mining.

“Kolwezi has always given to the world,” organizers said. “This week, the world came to Kolwezi and left with a new picture of who we are. That is the legacy of this edition, and the foundation of the next.”

Looking Ahead

Kolwezi Fashion Week extends its gratitude to its sponsors, partners, designers, volunteers, broadcast partners, beauty partners and, above all, the people of Kolwezi, whose warmth and hospitality defined the week as much as any collection on the runway.

Planning for the third edition begins immediately, as Kolwezi Fashion Week continues its mission to establish the Democratic Republic of the Congo as one of Africa’s leading destinations for fashion, creativity and cultural innovation.


  • Event: Kolwezi Fashion Week (KZIFW), 2nd Edition — “Héritage en Lumière” (Heritage in the Spotlight)
  • Dates: July 1–5, 2026 · Location: Kolwezi, Lualaba Province, Democratic Republic of Congo
  • Founder: Marie Natacha Masuka
  • Headline designers: Taibo Bacar, Danayi Madondo (Haus of Stone), Bouboucar Midaye (Mida Style), Eric Raisina
  • Opening-night Congolese designers: Pero LM Africa, David Insilo, Kitendi Couture, Marc Yves Creation
  • Fashion Village family festival: July 3–5 — artists, local designers, competitions, and activities for all ages
  • Closing event: Fashion Talk — panel on the economic impact of fashion week (July 5)
  • Broadcast partners: Télé 50, Mikuba TV · Beauty partner: MAC Cosmetics
  • International guests: 170+ (designers, media, buyers, and cultural figures)
  • High-resolution runway imagery and interview requests available via the Press Office

Distributed by APO Group on behalf of Kolwezi Fashion Week.

Media Contact: 
Kolwezi Fashion Week — Press Office
Email: info@kzifashionweek.com
Phone: +243 990 713 333
Web: www.KziFashionWeek.com

About Kolwezi Fashion Week: 
Kolwezi Fashion Week (KZIFW) is an annual international fashion event held in Kolwezi, Democratic Republic of Congo. Founded by Marie Natacha Masuka to spotlight Congolese and African design talent, KZIFW brings together designers, media, and industry leaders for a multi-day program of runway shows, exhibitions, and cultural experiences — putting Kolwezi and the DRC on the map of global fashion. KZIFW is organized by BEE Events Management LLC.

Media files

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VAT refund fraudster sentenced to 25 years

Source: Government of South Africa

VAT refund fraudster sentenced to 25 years

The South African Revenue Service (SARS) has welcomed the 25-year sentence meted out in a R62 million VAT fraud case.

The man, André Claude Dickoumba-De-Diguela, and company Assistance Médicale International pleaded guilty to 127 counts of fraud and 66 counts of money laundering related to fraudulent VAT refund claims that occurred over 12 years.

SARS Commissioner Dr Johnstone Makhubu noted that the sentencing comes as a result of the revenue collector’s investigative and enforcement capabilities.

“Fraudulent VAT [Valued Added Tax] refund claims are not simple administrative errors. They are carefully calibrated acts of criminality that defraud the country’s revenue base, harm honest taxpayers, and deprive the government of the resources necessary to provide essential public services.

“Every Rand lost to fraud is a rand that could have been used to support economic development, infrastructure, healthcare, education, and other vital services.

“Complex tax and financial-crime cases require strong investigative work, careful prosecution, and sustained inter-agency cooperation. Today’s legal success in this matter shows what we can achieve in the fight against the depravity and crime engulfing our country and state institutions,” he said in a statement on Friday.

The Commissioner added that SARS is working to foster a “culture of voluntary compliance” for all taxpayers.

“Filing Season demonstrates this commitment in practical terms: taxpayers have better digital services, more prefilled information, and easier ways to meet their obligations. But simplicity for honest taxpayers must never be mistaken for weakness in the face of deliberate fraud.

“Those who fabricate VAT refunds, conceal the proceeds, and launder money threaten our country’s financial stability. SARS will follow the evidence and work with relevant authorities to ensure that deliberate non-compliance carries real consequences,” Makhubu warned. – SAnews.gov.za

 

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Abuja’s housing crisis: why affordable homes stay out of reach for low paid workers

Source: The Conversation – Africa – By Joy Oyiza Obadoba, PhD Candidate, Sustainable Urbanisation, University of Lagos

Abuja, Nigeria’s federal capital city, has witnessed remarkable urban growth since its development in the 1980s. The city’s population has increased from 776,298 in 2006 to an estimated 2,057,985 in 2026.

A serious housing crisis has developed: high rents and developments focused on luxury force lower income earners into peripheral settlements.

Over the decades the city’s authorities have taken steps to address the challenge. They have followed national housing policies and encouraged private sector investments, yet there are still gaps in addressing housing challenges in Abuja. Abuja has a housing deficit of over 1.7 million units.

My doctoral thesis focused on access to housing for low-income earners in one of the six councils that make up Nigeria’s Federal Capital Territory.

In a recent paper I looked at how state-led policies in Abuja shape access to housing for low earners. I argue that state-led housing intended to correct market failure reinforces inequality. It puts high-income earners first and neglects the majority in society.

My research drew on qualitative and quantitative data, including policy document reviews, stakeholder interviews and household surveys.

I identified four key factors that contribute to the city’s housing crisis:

  • poor monitoring of current policies

  • state-led programmes that privilege middle and upper-income groups

  • a lack of affordable financing

  • planning that fails to account for cultural preferences when designing houses.


Read more: Africa needs 50 million new homes, but building is bad for the environment: how to finance ‘green’ solutions


The housing crisis in Abuja

The demand for housing in Abuja has increased due to rapid urbanisation and population growth. As Nigeria’s political and administrative hub, Abuja attracts thousands of migrants who perceive the city as safer than other parts of the country.

Its centrality also attracts unemployed migrants searching for jobs, economic opportunities and political connections.

But the supply of affordable housing has not kept pace with demand.

National housing policies such as the National Housing Fund and various affordable housing initiatives have aimed to alleviate the problem, but without success.

There are a number of reasons for this.

Monitoring and enforcement

My research found that there’s a lack of monitoring and enforcement of housing development policy. Affordable housing projects awarded by the Mass Housing Department to developers are not regularly monitored by the agency.

This has resulted in projects that benefit only the upper-income groups, particularly politicians, people in business, and senior government officials. Low income earners are systematically excluded.

High-end developments and gentrification

Government officials focus on high-end housing developments through designs, zoning and architectural plans.

Over 48.3% of Abuja residents are poor, according to the 2022 multidimensional poverty index. While some housing policies are designed as affordable and inclusive housing, they fail to accommodate low-income earners.

For example, Renewed Hope City, located in Karsana, Abuja, provides 3,112 housing units but allocates only 992 one- to two-bedroom units to low-income groups.

Added to this is the gentrification of areas initially occupied by low-income communities. Informal settlements, the only affordable option for many, are demolished. Over 30,000 settlements were flattened between 2024 and 2026 to make way for upscale developments.


Read more: How hot is your home? Nigerian study explores comfort levels in buildings


Access to affordable financing

The mortgage (home loan) system in Nigeria is biased against low-income earners. Despite the Federal Mortgage Bank adopting interest rates between 6% and 10%, commercial banks offer between 18% and 24%. Some people’s wages are not adequate to apply for a home loan. They do not have the money for a deposit or they can’t afford the monthly deduction.

Buying a luxury apartment requires an initial deposit of 10%, which far exceeds the wage of the average Nigerian worker, and there are strict criteria to qualify for home loans.

Low-income individuals often lack formal employment records or collateral. Where they are formally employed, many do not have sufficient savings in their housing insurance policy, making them ineligible for housing loans.

One of the respondents in my study said:

Many of us consider ourselves low-income earners in Abuja. Look at me, an average director who earns the sum of 400,000 naira, yet I must pay an annual rent of over 3 million per year. I will also pay for feeding, medical bills, and tuition fees for the children. Tell me, is my salary commensurate with the living expenses in the city?

The missing cultural dimension

Abuja’s housing development also neglects cultural dimensions. Housing is more than just shelter; it meets families’ social, cultural and psychological needs.

In Abuja, the average resident maintains connections with extended family. But urban planners overlook this. They design homes for nuclear families, disregarding larger households’ needs. Resident have to adapt by overcrowding studio apartments or sharing spaces to reduce costs.

Architects choose western-style designs over indigenous aesthetics and environmental considerations.

My view is that to improve affordability and sustainability, developers must use local materials, climate-sensitive designs and cultural elements that suit residents’ lifestyles.


Read more: Better-designed homes could cut three major child diseases by up to 44% – Tanzania trial


Addressing the gaps

My findings suggest a number of policy interventions are required.

Firstly, the government must help make housing more affordable by providing subsidies and revising mortgage systems.

Secondly, offering low-interest housing loans and rent-to-own schemes would help renters make the move to home ownership.

Thirdly, government should regulate private developers by granting tax incentives, providing land access, and closely monitoring projects to ensure they benefit the target demographic.

Fourth, instead of demolishing informal settlements, authorities should upgrade them. They should improve infrastructure, grant legal recognition, and provide access to essential services.

Fifth, urban planners and architects must incorporate cultural dimensions in housing designs by creating spaces for extended families, fostering communal areas, and using traditional materials.

Finally, civil society organisations should hold policymakers accountable and amplify the voices of low-income earners.

By meeting the needs of low-income earners and respecting the cultural context of housing, Abuja can progress towards a housing system that works for all its residents.

– Abuja’s housing crisis: why affordable homes stay out of reach for low paid workers
– https://theconversation.com/abujas-housing-crisis-why-affordable-homes-stay-out-of-reach-for-low-paid-workers-260435

DRC has taken Rwanda to the world court over genocide again. A law scholar explains what’s different this time

Source: The Conversation – Africa – By Kerstin Bree Carlson, Associate Professor International Law, Roskilde University

The Democratic Republic of Congo (DRC) filed a lawsuit against Rwanda at the International Court of Justice at the end of June 2026. The 60-page complaint alleges acts of genocide and other atrocity crimes by Rwandan forces and their intermediaries dating from 1996 to the present day.

The DRC has twice before brought similar cases against Rwanda at this court. Both failed on questions of jurisdiction. So, what explains yet another case against Rwanda? Kerstin Bree Carlson, a scholar of international justice and author of a book on international law in Africa, examines this history and what’s behind the DRC’s confidence in its latest push.

What did the DRC’s previous cases involve?

The DRC has twice tried to bring Rwanda before the International Court of Justice in relation to violence carried out or backed by Rwanda on its soil. It was unsuccessful both times.

In 1999, the DRC brought claims against Rwanda, Burundi and Uganda before the court over the armed invasion of its territory. It sought reparations for armed aggression and intentional acts of destruction and looting.

It later dropped its claims against Rwanda and Burundi because neither country had consented to the court’s jurisdiction.

The case against Uganda went ahead, and in 2005 the court ruled in the DRC’s favour. It found that Uganda was responsible for acts of violence in the country. In 2022, the court ordered Uganda to pay US$325 million in reparations, marking a significant victory for the DRC. Kampala paid the first instalment of US$65 million that year.

In 2002, the DRC resubmitted claims against Rwanda.

The DRC invoked eight international treaties, including the Genocide Convention. This is a UN treaty that entered into force in 1951 and establishes genocide as an international crime.

The International Court of Justice dismissed the DRC’s case on jurisdictional grounds, which drew criticism. The court said it lacked the authority to hear the dispute because Rwanda had entered a “reservation” when it joined the Genocide Convention, rejecting the court’s jurisdiction under the treaty. In the 2006 ruling, a majority of International Court of Justice judges recognised the validity of this reservation.

What has happened in the past 20 years that might change the outcome?

First, in 2008 Rwanda withdrew its reservation to International Court of Justice jurisdiction under the Genocide Convention and the Convention on the Elimination of all forms of Racial Discrimination (which came into force in 1969). That means that the jurisdictional hurdle relating to Rwanda’s consent is resolved.

The DRC has invoked both these treaties in its current submission to the court.

Second, in 2008 Rwanda became a party to the Convention Against Torture (which came into force in 1987). Claims made under this UN treaty do not need to meet the same rigorous “intent” standard that genocide claims do. Further, the court’s jurisprudence is well established under the torture convention. For example, claims under this treaty played a critical role in efforts to bring Chad’s former president Hissène Habré to justice.

The DRC has invoked this history in its submission.

Third, international law has evolved. Recent cases like The Gambia’s suit againt Myanmar (2019) and South Africa’s case against Israel (2023) have expanded the Genocide Convention’s reach.

Together, these factors suggest that the DRC’s third attempt may have a stronger chance of clearing the jurisdictional hurdle. However, whether this would eventually lead to a judgment against Rwanda is much harder to predict.

Why has the DRC turned to international law?

International law, the law of nations, creates all nations as equals. The International Court of Justice is the oldest, most established global arbiter of disputes between them.

There are two principles of international law that play out in this case.

First, states are generally bound only by obligations they have explicitly accepted. This includes agreeing to the jurisdiction of the court. Second, international courts have no police force or other means of enforcing their judgments. It is up to states themselves to comply with court rulings. This compliance includes a duty on other states not to recognise as lawful situations created through serious breaches of international law.

Although the court cannot compel states to act, its opinions matter. They represent the most authoritative statements of international legal norms. In other words, International Court of Justice judgments represent the clearest statements we have regarding how international legal principles apply in practice.

Recognising international law’s persuasive power is key to understanding why the DRC has repeatedly turned to the International Court of Justice and other international courts to seek rulings against Rwanda and its proxies. These include the International Criminal Court and the African Court on Human and People’s Rights. International lawfare represents a principled battle for recognition and legitimacy.

Why does the case matter?

The DRC’s creative legal attempts to bring Rwanda to justice in relation to its engagement in and support of armed conflict in the DRC over the past several decades are efforts to invalidate violent incursions on its soil. It also seeks to reassert its sovereignty by having Rwandan-backed violence recognised as illegal by international law’s apex court.

As I have argued before and in my book examining international law in Africa, the power of international law resides in states’ agreements to use it in place of violent conflagration, and to be bound by it.

Rwanda challenges these standards in both regards. Credible allegations of Rwandan-backed massacres in the DRC date from 1996 through to the present day. Despite being the recipient of significant international legal investment, Rwanda resists participating as a good international citizen. So far, neither Rwanda nor its allies are addressing or redressing its behaviour.

By contrast, the DRC is expanding international law’s promise and potential by applying it as intended. International law derives its power chiefly from the expectations it creates.

The DRC is not blameless in the three decades of violence its submission describes. But by framing that violence through the lens of international law, the country helps legitimise alternatives to violence.

– DRC has taken Rwanda to the world court over genocide again. A law scholar explains what’s different this time
– https://theconversation.com/drc-has-taken-rwanda-to-the-world-court-over-genocide-again-a-law-scholar-explains-whats-different-this-time-286963

Syrian President Meets Minister of State at Ministry of Foreign Affairs

Source: Government of Qatar

Damascus | July 11, 2026

HE President of the Syrian Arab Republic Ahmed Al Sharaa met on Saturday with HE Minister of State at the Ministry of Foreign Affairs Dr. Mohammed bin Abdulaziz bin Saleh Al Khulaifi.

During the meeting, HE the Minister of State at the Ministry of Foreign Affairs conveyed HH the Amir Sheikh Tamim bin Hamad Al-Thani’s greetings to HE the President of the Syrian Arab Republic and His Highness’s wishes for good health and happiness to His Excellency, as well as for enduring progress and prosperity for the government and people of Syria.

For his part, HE the President of the Syrian Arab Republic entrusted HE the Minister of State at the Ministry of Foreign Affairs with conveying his greetings to HH the Amir, wishing His Highness good health and happiness and the State of Qatar continued progress, development, and prosperity.

The two sides discussed deepening and expanding bilateral cooperation in a variety of fields, along with a range of matters of shared interest.

Eritrea: Mai-Nefhi College of Science Graduates 300 Students

Source: APO – Report:

In its 19th commencement, Mai-Nefhi College of Science graduated 300 students, 49% of whom are female students, in degree program today, 11 July.

The graduates include 54 in Biology, 70 in Chemistry, 30 in Earth Science, 59 in Mathematics, 44 in Physics, and 44 in Statistics.

Prof. Gebray Asgedom, Dean of the College, indicated that the number of graduates increased by 3% compared with 2025 and by 15% compared with 2024. He said that over the past 18 years, the College has graduated 4,441 students in diploma and first-degree programmes.

The guest of honour, Mr. Tesfay Gebreselasie, Minister of Land, Water and Environment, urged the graduates to practically enhance the knowledge they acquired through formal education in their places of assignment. He also called on them to become researchers, innovators, architects of the country’s development roadmap, and dedicated workers worthy of their historical responsibilities.

Minister Tesfay further said that the Government and the people expect the graduates to become reliable, modest, and dedicated members and frontrunners of their society, while taking pride in their history and culture.

A representative of the graduates commended all those who supported them throughout their studies and expressed their commitment to live up to the expectations of the Government and the people, who provided them with the opportunity to pursue higher education.

At the event, medals and certificates of merit were presented to outstanding students. 

– on behalf of Ministry of Information, Eritrea.

Media files

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